The 172‑minute documentary You Can See Everything, directed by Nathan Fielder and Lance Oppenheim, premiered at the Telluride Film Festival on September 6, 2026. The film follows former Theranos founder Elizabeth Holmes from 34 days before her federal prison entry through three subsequent years, offering a longitudinal view of the convicted fraudster’s life in and out of custody.
Premiere and Distribution
After its Telluride screening, A24 announced a theatrical release for October 2026. The announcement positioned the film within the upcoming awards cycle and set a schedule for a broader audience reach. The release plan was reported by Variety and ABC News.
Documentary Scope
The narrative begins 34 days before Holmes’s entry into the Federal Prison Camp (FPC) Bryan in Texas, where she serves an 11‑year, 3‑month sentence following her 2022 conviction on fraud and conspiracy charges. The film continues to track Holmes over a three‑year period, documenting her experiences in prison, interactions with her partner Billy Evans, and moments with their children. The film’s synopsis describes the work as an intimate portrait that evolves into a “mind‑bending three‑year journey into the abyss.”
Production Details
Fielder’s feature directorial debut and Oppenheim’s second documentary feature follow a blend of real‑world footage and staged reenactments. The production includes direct camera access to Holmes, as well as recreated scenes featuring an actress to depict aspects of prison life. The combination of authentic interviews and dramatized sequences provides a layered view of Holmes’s circumstances.
Legal Context and Release Dates
Holmes’s legal timeline is documented in public records. Two sources report differing projected release dates from prison: December 30, 2031, and August 16, 2032. These dates reflect the range of estimates available in the public domain. The film’s coverage of Holmes’s sentence and the uncertainty surrounding her release dates are part of the broader context presented to viewers.
Audience Reception and Critical Outlook
As the film prepares for its October theatrical rollout, audiences and reviewers will encounter a documentary that juxtaposes intimate family moments with the stark realities of federal incarceration. The inclusion of Holmes’s partner and children, coupled with the film’s longitudinal structure, offers a perspective rarely captured in true‑crime storytelling. The film’s release timing and distribution strategy place it among other high‑profile documentaries in the 2026 awards season, inviting comparison and discussion within the documentary community.
For viewers, the film presents a rare opportunity to observe the evolution of a public figure’s life under the weight of legal consequences. The documentary’s structure and content invite reflection on the intersection of personal narrative and institutional experience.